Wicca Traditions

Alexandrian Wicca

Alexandrian Wicca is the creation of Alex Sanders (with his then wife Maxine) who claimed to have been initiated by his grandmother in 1933. It's principal proponents are Janet and Stewart Fararr whose books set forth most, if not all, of the Alexandrian tradition. Contrary to popular belief, the name Alexandrian refers not to Alex Sanders, but to Ancient Alexandria.

Although similiar to Gardnerian Wicca, Alexandrian Wicca tends to be more eclectic, and liberal. Some of Gardnerisms strict rules, such as the requirement of ritual nudity, have been made optional by Alexandrian Wicca.

Mary Nesnick, an American initiate in Gardnerian and Alexandrian traditions founded a 'new' tradition called Algard. This tradition brings together both Gardnerian and Alexandrian teachings under a single banner. This was possible due to the great similiarities between the two traditions.

The Frosts call their tradition of Wicca Celtic. To me it seems more of a mixture of high magic and eclectic Wicca, with a smattering of Celtic thrown in. For instance, they use three circles, one within the others, made of salt, sulphur and herbs with runes and symbols between them instead of just one circle. They also insist on a white- handled athame and will not have a black handled one, whereas all the other traditions I have heard or read about use a black handled one. It seems to me the Wicca they practice and teach should not be called Celtic at all; but since a lot of it is made up or put together by them from other traditions they should also give it a made-up name; say Frostism. If you DON'T have to pay for the course, and have some extra time, it would probably be worth reading just for comparison. [*From Circe, who took their correspondence course.]

The Frosts have always been rather more public than most traditions (advertising their course in the Enquirer and similar publications) which has earned them heavy criticism in less public Craft groups.

1. One branch, founded in Texas by Morgan McFarland and Mark Roberts, gives primacy to the Goddess in its thealogy, but honors the Horned God as Her Beloved Consort. Covens are mixed, including both womyn and men. This branch is sometimes called 'Old Dianic', and there are still covens of this tradition, especially in Texas. Other covens, similar in thealogy but not directly descended from the McFarland/ Roberts line, are sprinkled around the country.

2. The other branch, sometimes called Feminist Dianic Witchcraft, focus exclusively on the Goddess and consists of womyn-only covens and groups. These tend to be loosely structured and non-hierarchical, using consensus- decision- making and simple, creative, experimental ritual. They are politically feminist groups, usually very supportive, personal and emotionally intimate. There is a strong lesbian presence in the movement, though most covens are open to womyn of all orientations. The major network is Re-Formed Congregation of the Goddess, which publishes "Of a Like Mind" newspaper and sponsors conferences on Dianic Craft. [* Amber K]

Humor is central to Discordianism, but Discordianism should not be dismissed as a joke. Profound experiences frequently accompany the practice or Erisinaism. It is a perceptual game, one which demonstrates that the absurd is just as valid as the mundane and chaos is just as valid as order. It frees the practitioner from the order games (that most have forgotten are games) to play games with order or games with chaos, or both. The effects of Discordianism upon an individual can be far- reaching and amazingly liberating. [Although a great many immature individuals have played at Discordianism and thereby sidestepped any chance of spiritual growth whatsoever -- Grey Cat *wryly*]

Gardnerism is both a tradition and a family, and lineage is a family tree. The High Priestess rules the coven, and the principles of love and trust preside. We follow our handed down book more carefully than many others, but we are free to add and improvise, as long as we preserve the original.

We work skyclad, practice binding and scourging, are hierarchal and secretive, therefore we are controversial. We're also controversial because we were first - the first craft tradition in the U. S. and descended from the man largely responsible for starting the craft revival. So, we're called 'the snobs of the craft', but I think we're as much fun as anyone else; our parties as good, our jokes as bad'

A Gardnerian can trace his/her lineage matrilineally back to a High Priestess who worked with Gerald. For virtually all American Gardnerians, that means his last HPS, Monique Wilson. Monique initiated the Bucklands and Rosemary Buckland initiated Theos, so far as anyone knows, the only one of Rosemary's Thirds who passed the initiation on.' [the foregoing quotes provided by Deborah Lipp, a Gardnerian Third Degree High Priestess as well as an ADF Druidess.]

Each Gardnerian coven is autonomous and is headed by a High Priestess who can turn to her queen (the High Priestess who trained her) for counsel and advice. This maintains the lineage and creates a pool of experienced and knowledgeable leaders and teachers.

Reincarnation and the Wiccan Rede [An it harm none do what you will] are basic tenants of the tradition. Covens are as much as possible composed of male/female pairs for balance. Most working is accomplished with the energy raised by the interaction of the Lord and Lady as represented by the couples in the coven by dancing, chanting, etc.

Like many Wiccan traditions, Gardnerians have three degrees. An American Gardnerian must be of the 3rd degree before she can become a HPS. The HPS/HP are responsible for conducting services (circles), training their conveners, and preserving and passing on Gardnerian Craft. *[This material quoted from Converging Paths Newsletter, Kyril, Brita, & Hugh authors. ]

A lot of the controversy surrounding Gardnerianism questions the sources of the rituals and other materials, particularly those appearing in print. It is true that Gardner presented these materials as if they were directly from his New Forest tradition. It is clear, however, that whatever materials the coven may have had when he was initiated, Gerald made a lot of changes and added a great deal. Literary sources of the published Book of Shadows include Blake, Kipling, Yeats and Crowley. Much of the published material was written by Doreen Valiente, a member of the coven for a time and later founder of her own groups and author of many excellent books on the Craft.

Gardnerian Witches without doubt do have many materials which have not appeared in print, however, their emphasis on secrecy has made them a punchline in the Wiccan social world. How many Gardnerians does it take to change a light bulb? That's a secret! Their High Priestess will usually be called 'Lady' Soandso and High Priest, 'Lord Whatisname'. [This is far more true in the U. S. than it is in England.]

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